SOL, for amplified piano, field recording and electronic.
Premiered by Lina Zikra at La Fileuse, Reims, October 20.
Commissioned by La Fileuse.
special thanks to Elsa Bezaury and Lina Zikra
Gegenschein, for baryton saxophone, clarinet, accordion, field recording, electronic and video.
Premiered by Chromosphère at Le Consortium, Dijon, September 26.
Commissioned by Why Note.
dodo en do (dièse), for objects, effects, modular synthesizer and percussions.
Premiered by La Générale d’Expérimentation at Cité de la Voix, Vézelay, January 15.
Commissioned by Why Note, coproduced by Césaré CNCM.
Putréfaction (séparation), for string orchestra.
Premiered by the Orchestre de Chambre de Champagne-Ardenne conducted by Arthur Dubois, at Maison Diocésaine Saint-Sixte, Reims, May 28.
Commissioned by Arthur Dubois.
special thanks to Arthur Dubois
Quatuor à cordes n°1
Premiered by the Quatuor Béla at Conservatoire de Reims, May 14.
Kairos, for bass clarinet, violin, viola, cello, piano and percussions.
Trio à cordes
Premiered by L’Instant Donné at Conservatoire de Reims, April 14.
Le pèlerin face à l’arbre sec, for amplified baryton saxophone, electronic and field recording.
Premiered by Carl-Emmanuel Fisbach at Conservatoire de Reims, May 25.
special thanks to Carl-Emmanuel Fisbach