2021
June, 15: Bielefeld-Lund-York History Conference.
‘The Technology and Culture of Amateur Sound Recording in France and Britain, 1950-1980.’
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2020
December, 14-18: Sound Instruments, Sonic Cultures: An Interdisciplinary Conference. Should have been at the National Science and Media Museum, Bradford, but we moved the conference online due to the pandemic.
‘Field Recording, Technology, and Creative Listening.’
I had the pleasure to be part of the organising team of this conference, and it was wonderful.
December, 2-4: 4th International Congress on Ambiances: Ambiances, Alloaesthesia, Senses, Inventions, Worlds. Should have been at the University of California Santa Barbara, Santa Barbara, but it moved online due to the pandemic.
‘Field Recording, Technology, and Creative Listening.’
The proceedings of the congress has been published, you can find them here.
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2019
October 31 – November 2: Music, Sound, Place: Ethnomusicology and Sound Studies, British Forum of Ethnomusicology and Société Française d’Ethnomusicologie Joint Forum, University of London, City.
‘The Beauty in the Banal: Sound-Hunting and Creative Listening in France and the UK, 1948-1978.’
October 4: PhD Annual Conference in History, University of York.
‘The Beauty in the Banal: Sound-Hunting and Creative Listening in France and the UK, 1948-1978.’
October 1-2: In Pursuit of Sound, University of Cambridge.
‘The Beauty in the Banal: Sound-Hunting and Creative Listening in France and the UK, 1948-1978.’
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2018
April 26-27: Les écoutes du fantastique, Université de Franche-Comté, Besançon.
‘La transcommunication instrumentale : ondes radio, voix des morts et musique.’
February 28: séminaire Art, science et technologie du CRAL, EHESS, Paris.
‘Le développement d’une interface musical et gestuel dans un contexte de maladie neuro-dégénérative.’
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2017
June 28-July 1: EuroMAC 2017, Université de Strasbourg.
‘To Weave Time: the Late Music of Morton Feldman through the Example of Violin and String Quartet.’
May 11-12: aCROSS 2017, CDMC, Paris.
‘L’immobilité comme mouvement suprême: Zen et musique chez John Cage et Giacinto Scelsi.’
March 15-16: Spectralism, University of Oxford.
‘Pansonority, Spectralism and Time: the example of Limited Approximations by G.F. Haas.’
February 18-19: TAGS 2017, Bangor University.
‘To Weave Time: the Late Music of Morton Feldman through the Example of Violin and String Quartet.’
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2015
September, 24-27: 12th International Conference of Musical Theory and Analysis, Istituto Superiore di Studi Musicali Giovanni Lettimi, Rimini.
‘An Analysis of Morton Feldman’s Violin and String Quartet.’