Tracks mainly composed when I was at the Conservatoire de Chalon-sur-Saône, in the electroacoustic class of Jean-Marc Weber.
Eanna, in 2010, marks the beginning of my exploration of the sedative quality of drone music.
Le pèlerin face à l’arbre sec, 2013, is also featured in this album. This was the first time I worked with a musician and wrote a score with staves and notes.
I would love to expand Vögel, Käfer und Johann Jacob Froberger mit ein Mikrophon but I have somehow lost the session and all the recordings it is based on.