No-Input and Filters

2006-2008, feedback and filters.

Old tracks from when I started to compose. Having no musical formation at that time, I experimented and improvised with digital no-input and auto-oscillating filters.
Bronzonium is based on heavily processed recordings of a singing bowl.
Kosmiche Muzak is also based on the same recordings of the same singing bowl, plus other things that I don’t remember. I remind that it was only a few tracks composed of big stackings of midi notes to trigger samples at different speeds / pitches.
All the tracks were done inside Ableton Live and Logic Pro, with the onboard effects.
All the original sessions are now lost.

Author: Jean-Baptiste

I am a composer, PhD researcher and cultural organiser. I work on listening and its relationships with society, technology and musical creation.